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bachna ae haseeno movie story?
Producer: Aditya Chopra
Director: Siddharth Anand
Music: Vishal-Shekhar
Artists: Ranbir Kapoor, Bipasha Basu, Deepika Padukone, Minisha Lamba, Hiten Pantal, Kunal Kapoor
Rating: 2.5 / 5

‘Bachna Ae Haseeno’ produced by Yash Raj Films has three stories. Raj-Mahi, Raj-Radhika and Raj-Gayatri. Raj is a permanent character in the stories, but the girls keep changing.

Just as the title of the film is borrowed from a hit song, the first story is inspired by the film ‘Dilwale Dulhani Le Jayenge’ produced by this banner. It is 1996. Like Yash Raj Films’ old films, Raj and Mahi are roaming Switzerland by sitting on the rail. Mahi misses the train and Raj walks with her one day on the pretext of leaving her. Mahi is attracted towards Raj. Raj cannot do anything except a kiss, but brags in front of friends. Mahi overhears and breaks her heart. Raj does not respond and the story ends.

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Then comes the story in 2002. Radhika (Bipasha Basu) is Raj’s live in girlfriend in Mumbai. This idea has also been picked up by director Siddharth Anand from his film Salaam Namaste. Radhika and Raj have no commitment. His life is running on the principle of food and drink. Meanwhile, Raj gets a job in Australia. When he tells Radhika, Radhika insists on marrying him. The more Raj wants to avoid him, the more he becomes trapped. Finally, without spending a day, he quietly goes to Australia.

Raj and his friend Sachin, who live in Sydney, Australia, do not believe in love. They have fun like the characters of ‘Hey Baby’. In 2007, Raj meets Gayatri (Deepika Padukone). Gayatri runs taxis at night, works and studies during the day. Raj is attracted to Gayatri and falls in love with her. He proposes to the wedding, but Gayatri turns him down. Raj’s heart breaks. He feels this pain for the first time. He understands how much he has hurt Radhika and Mahi. He decides to apologize to her and comes back to India. How he succeeds in his purpose is the essence of the film.

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The story of the film is good and it had the potential to become a great film, but director Siddharth Anand and writer failed to exploit those possibilities. The biggest turning point of the film is Raj’s change of heart. A play boy who thought of girls as just a matter of amusement, was so filled with complacency by Gayatri’s sudden refusal to apologize, not digest. Solid scenes and reasons were needed to show Raj’s change of heart, but it was taken very lightly.

Similarly, Gayatri’s character was also not written properly. How does a girl who values ​​a self-esteem want a boy who has relationships with many girls in front of him. When she had nothing to do with Raj, why does she go to Italy with him? After Raj turns down his marriage proposal, how suddenly she changes her heart that she gets ready for marriage. She tells her heart by writing a letter daily to Raj’s house because Raj has gone to India. Couldn’t Radhika be so educated, mobile, phone, SMS or email?

The story of Raj and Mahi is extremely boring and it is surprising that the director has given more footage to this story. Looking at the love story of Raj and Mahi, it seems that we are watching an old film. Scenes apologizing to Raj’s Mahi are also kept extremely long. Seeing the same Punjabi wedding, dancing and singing, now she is getting bored.

The story of Raj and Radhika is the best. However, under the excuse of forgiveness, the actions that Radhika makes (making PA, waiter, dancing on the road) do not agree with Raj. The story of Raj and Gayatri was not developed properly by the director. Whereas Raj feels love through this love story.

Director Siddharth Anand has made the pre-medieval part of the film good. The story runs a gallop and raises hopes that something different and new will be seen. The film’s presentation till midnight is also good. After intermission, the film becomes similar to films like the 90s. Raj’s character, which seems to be ahead of time, behaves like the heroes of the old times. Of the three stories, he could make only one (Raja-Radhika) somewhat correct.

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